Jay Smooth in his TED speech “how I learned to stop worrying and love discussing race” (via tropicanastasia)
Jay Smooth almost always a reblog
Dude nailed it. We all need to work at being good. Even if we think we are.
Nineteen Eighty-Four by George Orwell
For more unique dystopian visions of the future, try these…
A Clockwork Orange by Anthony Burgess for a violent future Britain where the establishment seeks order by reforming dangerous youth.
Little Brother by Cory Doctorow for a 1984-inspired YA thriller set in the near future that explores the dystopian effect of post 9/11 policy.
Station Eleven by Emily St. John Mandel for a literary love letter to humanity after a flu pandemic wipes out 99% of the population.
The Bone Clocks by David Mitchell for a genre-busting epic that starts in 1984 and ends in 2043.
Spencer Finch - 366, Emily Dickinson’s Miraculous Year (2009)
This work is based on Emily Dickinson in 1862, when she wrote 366 poems in 365 days. It is a real-time memorial to that year, which burns for exactly one year. The sculpture is comprised of 366 individual candles arranged in a linear sequence, each of which burns for 24 hours. The colour of each candle matches a colour mentioned in the corresponding poem. For the poems in which no colour is mentioned, the candles are made out of natural paraffin.
Yeah, I don’t know her work, but the results of this were pretty cool.
When you gesticulate you don’t just add a “note of colour” that makes your speech more pleasant: you convey information on sentence structure and make your meanings clearer. A study carried out at SISSA in Trieste demonstrates that gestures and “prosody” (the intonation and rhythm of spoken language) form a single “communication system” at the cognitive level, and that we speak using our “whole body” and not only our vocal tract.
Have you ever found yourself gesticulating and felt a bit stupid for it while talking on the phone?
You’re not alone: it happens very often that people accompany their speech with hand gestures, sometimes even when no one can see them. Why can’t we keep still while speaking? “Because gestures and words very probably form a single “communication system”, which ultimately serves to enhance expression intended as the ability to make oneself understood”, explains Marina Nespor, a neuroscientist at the International School for Advanced Studies (SISSA) of Trieste. Nespor, together with Alan Langus, a SISSA research fellow, and Bahia Guellai from the Université Paris Ouest Nanterre La Défence, who conducted the investigation at SISSA, has just published a study in Frontiers in Psychology which demonstrates the role of gestures in speech “prosody”.
Linguists define prosody as the intonation and rhythm of spoken language, features that help to highlight sentence structure and therefore make the message easier to understand. For example, without prosody, nothing would distinguish the declarative statement “this is an apple” from the surprise question “this is an apple?” (in this case the difference lies in the intonation).
According to Nespor and colleagues, even hand gestures are part of prosody: “the prosody that accompanies speech is not ‘modality specific” explains Langus. “Prosodic information, for the person receiving the message, is a combination of auditory and visual cues. The ‘superior’ aspects (at the cognitive processing level) of spoken language are mapped to the motor‐programs responsible for the production of both speech sounds and accompanying hand gestures”.
Nespor, Langus and Guellai had 20 Italian speakers listen to a series of “ambiguous” utterances, which could be said with different prosodies corresponding to two different meanings. Examples of utterances were “come sicuramente hai visto la vecchia sbarra la porta” where, depending on meaning, “vecchia” can be the subject of the main verb (sbarrare, to block) or an adjective qualifying the subject (sbarra, bar) (‘As you for sure have seen the old lady blocks the door’ versus ‘As you for sure have seen the old bar carries it’). The utterances could be simply listened to (“audio only” modality) or be presented in a video, where the participants could both listen to the sentences and see the accompanying gestures. In the “video” stimuli, the condition could be “matched” (gestures corresponding to the meaning conveyed by speech prosody) or “mismatched” (gestures matching the alternative meaning).
“In the matched conditions there was no improvement ascribable to gestures: the participants’ performance was very good both in the video and in the “audio only” sessions. It’s in the mismatched condition that the effect of hand gestures became apparent”, explains Langus. “With these stimuli the subjects were much more likely to make the wrong choice (that is, they’d choose the meaning indicated in the gestures rather than in the speech) compared to matched or audio only conditions. This means that gestures affect how meaning is interpreted, and we believe this points to the existence of a common cognitive system for gestures, intonation and rhythm of spoken language”.
“In human communication, voice is not sufficient: even the torso and in particular hand movements are involved, as are facial expressions”, concludes Nespor.
alright you guys have posted some pretty bad jokes on here but not one comes close to this doozy
so there’s a far-off place that consists of a perfectly triangular lake surrounded by land, with three kingdoms on the three sides of the lake. the first…
»easter wings« by george herbert (1633)
herbert’s “easter wings”, a pattern poem in which the work is not only meant to be read, but its shape is meant to be appreciated. in this case, the poem was printed (original image here shown) on two facing pages of a book, sideways, so that the lines suggest two birds flying upward, with wings spread out. (wikipedia)